Showing posts with label Ruby Keeler. Show all posts
Showing posts with label Ruby Keeler. Show all posts

Saturday, January 11, 2014

Dames (1934)



“I'm free, white, and 21. I love to dance AND I'm going to dance.”

            I love how in classic musicals there is always an obstacle for the leads to get through. Most of the ones I have seen are about a girl wanting to be on the stage and a guy who writes a show and falls in love with the ambitious girl. Well, that seems to be the Warner Bros. musical formula anyway. The studio made quite a few like this and they mainly starred Dick Powell, Ruby Keeler, Joan Blondell. And so did their 1934 film Dames.
            Horace P. Hemingway (Guy Kibbee) goes to see his wife’s rich cousin Ezra Ounce at his office. Just to get to Ezra Horace had to go through multiple levels of security and announcements. When he finally gets to Ezra the eccentric millionaire tells him that he wants to divide his money while he is still living. He wants to give Barbara (Keeler), Horace’s daughter, ten million dollars and does not want to give a penny to the “bad fruit” Jimmy (Powell) because he is an actor. Ezra believes actors and theaters and plays are immoral and corrupt. Horace goes along with whatever Ezra says because he wants the ten million dollars. Ezra tells Horace he plans on coming back to NYC with him to visit his cousin.
            On the train ride back Horace goes to his room for the night. When he turns on the lights he sees a young woman named Mabel (Blondell) in his bed. At first he thinks he has the wrong room but Mabel tells him she needed a place to stay she got stuck somewhere and could not get a ride back so she snuck on and took the room. Horace does not want Ezra finding out about Mabel being in his room and he does not want to stay in there with her but he has no choice. He sleeps on his bags. In the morning Horace leaves Mabel twenty dollars and a note on his business card not to mention anything to anyone.
            Barbara is out with Jimmy in a park. They love each other. Barbara questions if it is alright for them to be in love and he tells her they are thirteenth cousins. That night when Ezra is over Jimmy comes by the house and announces he is someone from Ezra’s company so he can come in. He wants Ezra to back his new show since everyone else has turned him down. He gets Ezra so worked up he comes down with a bad case of the hiccups. The only way to get rid of them is if he has this elixir that is not widely sold or made anymore. Barbara manages to find a bottle at the drugstore. Jimmy is there waiting for her and they go out on a ferry ride to Staten Island.
            Jimmy thinks he gets his play backed by someone. The whole thing was too easy. Mabel storms into the office and tells them all the man who has agreed to back their show is a crook he is the one who left her stranded to find her own way back. He owes her fifty-seven dollars in back pay on top of everything else. When the guy runs away Mabel tells everyone to leave she wants to talk to Jimmy about his play. He sings his song he wrote about Barbara to her. Barbara is not too happy about Jimmy singing their song to someone else. He tells Mabel he will give her a part if he can help get the show backed. Mabel plans to blackmail Horace for the money. She kisses Jimmy just as Barbara walks in.
            Jimmy and Mabel disguise themselves and sneak into Ezra’s moral meeting. When Horace goes to his room, Mabel in sitting in his bed. Threatening to call for Ezra she tells him she wants twenty thousand dollars and she will not say a word of their meeting to anyone. He gives her the money.
            Ezra, Horace, and Mathilda (Zasu Pitts, Horace’s wife) go to the theater to see Jimmy’s play Hot and Sweet. Ezra brings along a group of thugs so when he gives a signal they will stop the show. Ezra is so nervous about the show he comes down with the hiccups and sips some of his elixir that has more alcohol in it and he keeps drinking it as the show goes on. Eventually Horace and Mathilda have some and by the end of the play they are sauced. The play goes well the crowd likes it. During one of the last numbers Mabel waves up to Horace. Thinking Mabel is waving at him Ezra waves with his handkerchief which is the signal for the men to attack. He and his men cause a riot in the theater. Ezra, Horace, and some of the girls from the show are brought to jail. Ezra and Horace do not want to be let out they are enjoying being with the ladies.
            The cast was very good and very enjoyable. Dick Powell and Ruby Keeler always played the same characters in their films. I like Powell and Keeler just gets on my nerves. She was not a very good actress, singer, or dancer. This film really belongs to Joan Blondell she was hysterical. She plays the same kind of character over and over but she was hilarious in her few scenes. I just love her sass and attitude. She has a number called “The Girl at the Ironing Board” that was great. Blondell had so much energy and she was just so good singing and dancing in it.

            The musical numbers besides “The Girl at the Ironing Board” were boring. I really do not like Busby Berkeley’s dance numbers they are long and unbelievable. I always find myself fast forwarding through them. I do, however, like their Art Deco look.

            Dames was a cute musical but it is definitely not one of the best ever made. The story is typical except for Joan Blondell blackmailing Guy Kibbee. This film, as I said, really belongs to Joan Blondell she just steals it. I can only suggest watching Dames if you really like musicals, like Warner Bros. or anyone in the cast.  

Saturday, July 14, 2012

42nd Street (1933)

“Sawyer, you listen to me, and you listen hard. Two hundred people, two hundred jobs, two hundred thousand dollars, five weeks of grind and blood and sweat depend upon you. It's the lives of all these people who've worked with you. You've got to go on, and you've got to give and give and give. They've got to like you.”

            42nd Street is one of the best musicals and best pre-codes I have seen. The film is full of musical clichés that were most likely old even in 1933. It is no wonder the musical was all but dead besides bad camera angles and sound. By the time 42nd Street was released cameras had become more sophisticated and sound had greatly improved. Along with Gold Diggers of 1933 I think 42nd Street is the best musical of that year. It is not the story but the performances that pull you into the film.
            Famed stage director Julian Marsh (Warner Baxter) is putting on a new show. Hundreds of girls audition for the part. Seasoned vets like Ann “Anytime Annie” Lowell (Ginger Rogers) and Lorraine Fleming (Una Merkel). The two women have been through the ringer so much they personally know Marsh’s assistant Andy with Lorraine constantly trying to get his attention. There is a new young naïve face among the girls named Peggy Sawyer (Ruby Keeler). This is her first time auditioning for anything. By accident she runs into Billy Lawler (Dick Powell) an actor with the company. Billy is a nice guy and immediately has a sweet spot for Peggy. He puts her in the front lines and she gets chosen for the chorus.
            The only reason the show is going on during the Depression is because some small town guy named Abner Dillon forked over seventy-thousand dollars and only if stage star Dorothy Brock (Bebe Daniels) was the star. Marsh and his men are concerned with Dorothy because she needs to be sweet with Dillon to keep his money in the show but she always sees her old vaudeville partner Pat Denning (George Brent) on the side. Dorothy loves Pat she feels terrible that she has been a success when he was the one who taught her how to be a performer. He says does not want to be an anchor around her neck anymore.
            At rehearsals one day Peggy collapses from exhaustion. Pat is there waiting for Dorothy so he sits and talks to Peggy. They hit it off very nicely. When Dorothy blows Pat off because she is with Dillon, he takes Peggy out for dinner. Dorothy sees them leave together and she gets jealous. When Pat takes Peggy home he is attacked by men that Marsh hired to scare him away from Dorothy during the play. Dorothy comes by Pat’s place the next day. He has his bags packed to go to Philadelphia to find some work. She tells him that is for the best they should not see each other anymore.
            At a party in her hotel room Dorothy has enough of Dillon. She is upset that Pat was with Peggy. Dillon is drunk and acting like a moron along with another woman. Dorothy calls Pat to come over but by the time he comes she is drunk. Peggy is in the hotel too where she was at a party. She runs away from the party and runs into two men who want to hurt Pat again. Peggy followed Pat to Dorothy’s room and tries to warn him but Dorothy in a jealous drunkenness tries to get at the poor girl. Dorothy falls and breaks her ankle.
            The show is in a spiral. Dillon says he can save the day he has just the girl to take over the lead part. Apparently in just one day he has fallen for Ann and wants her to be the lead. Ann herself knows she cannot play the lead and suggests Peggy for the part. Marsh has nothing else to do and puts Peggy in. For the five hours leading up to the show Marsh works Peggy to bone.
            The hard work pays off and Peggy does a great job.
            As I said the performances are what saves this film from being too clichéd. All the praise in the world goes to Ginger Rogers and Una Merkel. These two completely steel the film in every one of their roles. The moment Rogers comes on the screen she is hysterical. She is wearing a monocle, a big hat, and carries a small dog and a cane and speaks with a British accent. Merkel picks Rogers out right away and just gives her grief. Every line Rogers and Merkel utter is snarky, sarcastic, quick, and witty. Bebe Daniels I have never seen in a film before but I have heard of her from researching silent films. Daniels was a very good actress and very pretty. Her singing and dancing were alright. George Brent I just love. He is the type of man I want to meet and fall in love with. He was handsome and his character was so sweet and nice. Dick Powell’s role is small. He has a few dancing and singing numbers. Warner Baxter I have seen in only one film before, he is a good actor but kind of forgettable. Ruby Keeler is just bad. Her singing is terrible and her acting gets annoying after a while. But I will say she was a good dancer.
            42nd Street is a great musical and 1930s pre-code. It was so successful it saved Warner Bros. from bankruptcy. The studio really knew how to make really good racy pre-code musicals. 42nd Street is a mix of cute musical with subtle sexual comments or suggestions and quick mean remarks. I loved sitting through the film not just for things I mentioned but also for the direction. Some of the camera angles were really good. 42nd Street is a musical to just be enjoyed and to have a great laugh.