Showing posts with label Oscar Levant. Show all posts
Showing posts with label Oscar Levant. Show all posts

Sunday, July 24, 2011

An American in Paris (1951)


“Maybe Paris has a way of making people forget.”
“Paris? No. Not this city. It's too real and too beautiful to ever let you forget anything”

            Goodness I am on a musical kick lately first with Annie Get Your Gun then The Band Wagon and now An American in Paris. Usually I watch musicals when I am in a foul and need something to cheer me up but I have not been in any sort of foul mood or been stressed. Hmmmm… maybe I am still trying to get Insidious out of my mind haha (nah it is not that I got that out of my head a while ago). I do not know what my deal is with musicals lately but I am having so much fun watching them. Today I was in the mood for An American in Paris which I know the reason why which I will explain in a bit.
            Gene Kelly plays an American artist named Jerry Mulligan living in France. He enjoys what he does even though he knows he will never make enough money as an artist. He lives above a small café with a concert pianist named Adam Cook (Oscar Levant) living across the way who is also an American.
            One afternoon on the corner where he sells his paintings Jerry meets a young rich woman named Milo “as in Venus de” Roberts (Nina Foch). She likes Jerry paintings and buys them all. She invites him back to her place and tells him that she would like to be his sponsor by talking to all the right people and one day holding an exhibition of his work. Jerry does not see the harm in it and he agrees. That night he takes Milo out to small but very crowded night club that he can pay for. As the audience we learn that Milo has a thing for helping out and falling for men who are aspiring artist of any kind.

            At the night club Jerry sees a beautiful young girl (Leslie Caron) much to Milo’s annoyance. As they are sitting with Milo’s friends he cannot help but stare at this girl who he found out through eavesdropping her name is Lise. Jerry walks over to the table pretending that he and Lise know each other and asks her to dance. She cannot get over the fact that this man who she does not know at all just came by and scooped her up to dance. When the dance is over he asks for her number, she gives the wrong one but the person whom she is with gives the correct one.
            Jerry is very persistent with calling Lise and even stops by the perfume shop she works at. His charm and persistence work and she agrees to meet with him for a date. The two hit it off very well and they begin to see each other.
            An odd situation arises when Adam finds out that his friend Henri (Georges Guetary) is engaged to Lise and that Jerry is in love with Lise as well. Jerry and Henri know each other and are friendly but they have no idea that they are in love with the same girl… that is not until they are both at a party one night and Henri just happens to see Lise and Jerry hug and kiss one more time before she is to go away with him to America.
            This is one of the many films my mom- excuse me, Santa- bought me for Christmas that I had never seen before. The Christmas I given this film I was also given Gigi… I guess my mom/Santa thought this would put my butt in gear with really cracking down on studying French. I love watching An American in Paris and Gigi because I can brush up on some basic French since je parle français un peu. I get excited when I can understand a few words or a conversation in the film but the French that Gene Kelly and some of the other actors speak is very basic (fun fact: Gene Kelly was a law major and a French minor when he attended college).
            I love the story and I really like the cast. Gene Kelly and Leslie Caron were perfect dance partners. This was Caron’s first film and got the part of Lise because Kelly and his wife had seen her in a ballet when they were in Paris and he remembered her. It was a good thing he remembered her because Cyd Charisse was supposed to be Lise originally but she became pregnant and had to back out. I love Charisse but Caron was perfect and she along with Guetary added the authentic French element to the film.
            There are some incredible dances in the film. My favorite is the “American in Paris” number. It is like thirteen minutes long but it is so colorful and beautiful. My favorite part of the dance is when Jerry and Lise go to the Lautrec exhibit and they are the paintings come to life. I like Lautrec and it is so cool to see his paintings in action. The best touch was seeing the figure of the woman with the green face from his Moulin Rouge painting. It is awesome to see how they made the effect of green on the woman’s face in the film. I got excited as I always do when I know a piece of art work.

        Now the reason why I was in the mood to watch An American in Paris was because I saw my uncle, my grandpa’s brother, yesterday and he loves this film and the music to it. Every time I mention this film in front of my uncle or my grandpa I always hear about how when they were younger my uncle would play this record all the time. My grandpa likes to say in so many words when he would hear the  “An American in Paris” song that he used to have it coming out of his ass along with “Slaughter on Tenth Avenue”. My grandpa also likes to tell me about all the times he would walk into the room he shared with my uncle when they were little and my uncle would have his records all over the place even on my grandpa’s bed and my grandpa would walk in the room, jump on his bed and crack a record.
            An American in Paris is one of MGM’s greatest musicals. It was under the Arthur Freed production unit and directed by Vincente Minnelli. You know you are watching an MGM musical because of the amazing direction, production, dancing, sets, and the amazing costumes from the dancing ones to the regular ones. MGM musicals have a fantastic way of lifting you of a rut or inspiring you making you want to be a singer/dancer. An American in Paris is a beautiful, happy love story wrapped up in a fun entertaining musical.


Tuesday, July 19, 2011

The Band Wagon (1953)


“That’s Entertainment”

            MGM has always been known for their incredible musicals. Arthur Freed’s production team made some of the most memorable musicals ever created such as Singin in the Rain and An American in Paris. Keeping up with the successful roll of musicals in the early ‘50s, Freed’s unit produced The Band Wagon. MGM got all their top entertainers in their arsenal and created one of their most catchy and fun musicals.
            Tony Hunter (Fred Astaire) is a fading musical star. He has not made a film in three years. We first see him sitting on a train; he is hiding behind a menu as he listens to two men talking about how Tony Hunter used to be someone. Then he pipes into the conversation and he agrees. When he gets off the train in NYC he feels lonely from the fact that no one is interested in him as an actor anymore.
            Tony has traveled to NYC to star in a play that his two friends Lily and Lester Marton (Nanette Fabray and Oscar Levant) have written. Tony has not been in the city for many years. Things and places have changed he hardly recognizes the place. Much has even changed on Broadway. Lily and Lester want the famed director, writer, producer, and actor Jeffery Cordova to direct the play. Tony has no idea who this guy is but he goes with the couple and meets the guy anyway. The meeting goes very well and Jeffery agrees to direct and even star in the play. He also wants to try to get the famed ballerina Gabrielle Gerard (Cyd Charisse) to be in the play as well.
            Lily and Lester bring Tony to see Gabrielle in a show. He is very pessimistic about working with the ballerina he thinks that she is too tall for him and that she will not be able to dance like him. From the moment the two dancers meet there are sparks and not good sparks. Gabrielle feels Tony thinks ballet is below him and Tony feels that Gabrielle is a snot. They argue and as they go to leave Jeffery’s apartment the board members agree to back the play and now the dancers are stuck working together.
            As rehearsals move ahead Tony is not happy. Many of his scenes and numbers have been cut. He finally has it and leaves. Gabrielle goes to talk to him. At first she apologizes but Tony sees right through that she is really not sorry for acting the way she did she is just coming to save face and ask him back to the play. She starts to cry and he feels bad. He wants to take her out so she goes with him. They go to the park and dance together. The two dancers are in perfect rhythm and step and they find they do dance well together. Tony comes back to the show and he and Gabrielle get along very well.
            When the play opens to the backers it is a flop. The backers back out leaving the company no money and all their hard work is wasted. During a small get together Tony lets Jeffery know that he can sell his paintings by some famous artists and they can rework the show and go on tour. The reworking is a big success
            Fred Astaire and Cyd Charisse were fantastic together. Of all the partners Astaire danced with I think Charisse was the best one. Watching her dance with him in “Dancing in the Dark” she never looked down at her feet and she was never a step ahead or behind she was flawless. I get so jealous watching Charisse dance she was so beautiful and her legs were incredible!! Also no matter what she wore she was gorgeous. Astaire was not too bad in this film. Usually he always plays the love sick little boy but he was not here and that was great.  Nanette Fabray was fabulous. I loved seeing her energy and how out going she was.
            My favorite numbers in the film are “Dancing in the Dark”, “I Love Louisa”, “Louisiana Hayride”, and “The Hunt Ballet.” “The Hun Ballet” is a twelve minute long number but it is so cool Astaire and Charisse literally just glide through the whole thing. Charisse looks gorgeous in one of the scenes in the ballet when she wears a red glittered dress and black gloves. The sex appeal that oozes out of her in the outfit and her dancing.  Nanette Fabray sings “Louisiana Hayride” and she is adorable you can see her energy and how great of a performer she was.
This is only part of the whole number but this is the best




            The Band Wagon is such a great musical. The story is not so much a romance it is more of a guy who has been down in his career for some years and now he is coming into a world he thought he knew and it is completely different. Now he is learning to work in a new theater world with new talent.  From the moment I first saw The Band Wagon I was in love with it. Everything about this musical is fantastic, beautiful, and special.